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Tout ce que vous devez savoir sur les livres rares et le commerce des livres anciens

Mémoire du passé

Une sélection de nos archives

Article

Book Conservation - Ghosting and Sunning and Foxing, Oh My!

If you're new to the world of book collecting, you've undoubtedly encountered plenty of jargon already. Rare and antiquarian book dealers often painstakingly describe a book's condition because it's such an important aspect of the book's value. Reputable dealers are as accurate as possible in their descriptions, and it's not unusual to run into the terms "ghosting," "sunning," and "foxing," all of which refer to different causes of discoloration to paper.
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Article

Artists’ Children’s Books - Catalogue 10 by Michèle Noret

After a longer break Michèle Noret has now published her tenth catalogue of picture books – and this is right at the time like a christmas-gift! In 2004, after having made herself independent (before she worked together with Thierry Corcelle, where she gained great experience of illustrated children's books in general) she began to publish her catalogues, now mainly concentrated on artists' children's books of the 20th century, each catalogue like a little portable gallery! I do not (and one probably cannot) know how many collectors of this sort of illustrated books exist in the world, but I hope: many! Collecting these books is one of the most adventurous and inspiring book-activities: it does not only confront us with the beauty of book-art and illustration (which, of course, would also be a result of collecting older books!), it also motivates - through the obviously never ending great creativity of artists worldwide in the field of book-making - to believe in the future of the book (inspite of all complaints about its coming „death"). Collecting contemporary picture books (be they children's books or illustrated books in general) means to be aware of the great challenge that every day an hitherto unknown object of beauty might be published. There is no predestination of a repertory, there is only your own decision: are you fascinated or not!
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Article

Collecting Rare Books and First Editions - The Novel That Never Was

The novel that never was: Meyern's book is a Bundesroman, a popular genre of novel in late eighteenth-century German literature which featured secret societies. As for The Ruins on the Mountain-Lake, it never existed at all, except in Meyern's mind.
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Article

Hollywood Adaptations - How Books Inspire Hollywood Movies

How a Christmas card, a poem, a Time magazine article, and even a few novels inspired some of Hollywood's greatest films
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One Hand on the Wheel - The International League of Antiquarian Booksellers During the 1990s

In 1985 I was elected to the committee of the ILAB, the international umbrella organization then uniting the national associations of eighteen countries, now twenty-one. The problems a small national association like the NVvA has to cope with do not differ fundamentally from those faced by the ILAB. The committee consists of members from various countries, who, when they agree to join the international committee, are expected to let the international collective interests prevail over the national and/or private interests. These responsible positions are not subject to any payment, and compensation for expenses is only partial. By raising the yearly financial contribution of the national associations to the ILAB treasury bit by bit, and through a levy on the booths at antiquarian book fairs sponsored by the national associations, the financial position of the ILAB slowly improved. In 1996, just before I retired as president of the ILAB, I was able to convince a majority in the General Assembly to vote for more appropriate reimbursement of costs for future members of the committees.
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International Cooperation - or the power of nearly 2000 booksellers

In the past ILAB had always seemed to me rather distant and not relevant to my business or life in the trade. I believe I was not alone in this opinion. Even worse I thought it was a dull body "banging" on about rules and regulations which the National Associations already did very well. I really didn't see ILAB as serving any purpose for me as I wasn't interested in exhibiting overseas. So yes, you guessed it; this is one of those how wrong could I be stories…
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