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Tout ce que vous devez savoir sur les livres rares et le commerce des livres anciens
 

Mémoire du passé

Une sélection de nos archives

Article

ABA Members on Postage Stamps (No. 1 in a very short series)

"Peter J. Kroger, of Ruislip, was not an ABA member for very long: the minutes of the General Committee say no more than '(October 1960) (Removed from membership April 1961)'. He and his wife Helen ran a modest catalogue business from their bungalow, 45 Cranley Drive, between 1954 and 7 January 1961, when a visit from Superintendent George `Moonraker' Smith, of Scotland Yard, put an abrupt end to their bookselling - and other - activities." The spy who loved books - An amazing story told by Angus O'Neill as "no. 1 in a very short series".
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Article

One should not miss this chance to learn and to collect! – Michèle Noret’s Catalogue 11

One year after her glorious Catalogue 10 Michèle Noret has published a new catalogue, again a wonderful collection of remarkable picture books and illustrated children's books of the 20th century. Collectors and antiquarians who know the market, also know, that it is absolutely no matter to bring together such a richness and variety of book-art. Michèle Noret obviously has a good nose for this sort of books, but it is not only her resourcefulness, that helps her, it is her great knowledge and competence and her aesthetic intelligence which lead her to find these wonderful books and graphic art - and(!) to describe them in an adequate and always informative way. Looking through her catalogues always means to get in touch with important names, styles, developments of book-art, specialties of illustrative art. The series of her catalogues (happy the collectors who kept them!) is like an international compendium of modern artist's books for children, indispensable for an intensive knowledge in this field, a real source book thanks to the many coloured illustrations. (A desideratum would be an index of titles and artists which comprehends all of the catalogues.)
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Article

Algorithmic book pricing and its implications

I was recently asked to offer comments on the issue of algorithmic book pricing for the newsletter of the Antiquarian Booksellers Association. The issue where the comments appear has now just arrived in the mail. Since the ABA newsletter reaches only a limited audience and has no online version I thought I should reproduce the text here, in case it might be of interest to others. Comments from readers who have actually used these services will be eagerly received.
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Article

Collecting the Physical Book in the Digital Age

I'm going to make some general comments about my experiences as a dealer buying and selling in the Internet/digital age today and offer some reflections on the past – over the thirty-five years that I've been in business. I won't keep you in suspense any longer. The impact of the Internet and computer technology has been enormous on the rare book business. There are three basic things that we do in this profession: buy books, sell books, and research what we are buying in order to sell them. All have been greatly impacted by technology. Today everything that I acquire is researched online in regard to bibliographical information, as well as for pricing comparison by looking at other copies in the marketplace. This research plays a key role in deciding what to buy, what to pay for the book, and in determining a fair amount to price the book for sale. Of course a subscription to the online auction record database is essential.
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Article

The Foots and the Poets

Very recently, a delightful new book tumbled on to my desk from an otherwise boring mail delivery - a Yard (3 Foots) Anthology, which straight away brightened my day and finished off anything else I had planned to do. For it immediately took me back many years to a different era. After a preliminary look-through, I was so grateful that I telephoned the donor to thank him most profusely and genuinely.
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Article

Letterpress printing at the Bodleian Library

The Bodleian Library's printing workshop holds three 17th-century composing frames, along with presses and type of more recent date, all in working order and regularly used to teach type-setting and printing on hand-operated presses.
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