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Tout ce que vous devez savoir sur les livres rares et le commerce des livres anciens
 

Mémoire du passé

Une sélection de nos archives

Article

De l'argile au nuage : une archéologie des catalogues (2e millénaire av. J-C - 21e siècle)

Depuis son apparition au 2e millénaire avant J.-C., le catalogue accompagne le développement de la culture écrite. Si sa construction est en apparence fastidieuse (l'inventaire, l'étiquetage analytique, l'enregistrement uniforme de données innombrables), il témoigne d'une ambition fondamentale, qui est à l'origine de la science et de la culture : celle de nommer, décrire et classer l'univers. Les catalogues ont permis d'imaginer des taxinomies pour inventorier la nature, des nomenclatures pour désigner les étoiles, des dispositifs pour favoriser l'accès aux textes, l'enseignement, mais aussi le commerce et la production des livres.
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Rare Books in the Press - Book Collecting Basics: Ditch the Dust Jacket?

"If you've ever purchased a hardcover book, you're probably familiar with the dust jacket or, depending on which side of the pond you are, the dust-wrapper. Indeed, they've been around since the 1820's! These paper coverings are designed to protect a book's cloth cover as the book travels from the publisher to your bookshelf. Some readers remove their dust jackets—or even use them as bookmarks! But when it comes to rare books or collectible book, dust jackets should be treated with significant care as they often add significant value to the book."
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Copenhagen 1948 - The Founding of the International League of Antiquarian Booksellers

How it all began: the minutes of the Congress in Copenhagen 1948, where the ILAB was officially founded and where the first President and the first ILAB Committee were elected. Lots of decisions were taken before the delicious Farewell Dinner with: "Harengs à la Danoise, Homards, Crevettes, Écrevisses, Saumon fumé, Anguille, Canard, Dindon, Côtes d'Agneau, Fromage", and Tuborg. Einar Grønholt Pedersen was President of the Danish Association of Antiquarian Booksellers at that time and host of the Congress which was to become the hour of birth of the League. He opened the Congress with an excellent speech about ILAB's aims and its ideas which unite the affiliates all over the world, in 1948 - and today.
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Article

What do you see? Frontispieces of Margaret Cavendish – A Lecture by Maureen E. Mulvihill

Students of 17th century women writers, art history, and book culture will be interested in Maureen E. Mulvihill's observations on the articulate frontispiece portraits of Margaret (Cavendish), Duchess of Newcastle, published in her remarkable corpus of work. With digital images, a table display of rare books (Mulvihill Collection), and a distributed bibliography, Maureen E. Mulvihill (Princeton Research Forum, Princeton NJ) will engage with these visual constructions as physical artifacts of 17th century book design and as 'text' to be read and parsed on the writer's character and identity. Keynote speaker Maureen E. Mulvihill is a broadly published specialist on women writers, rare books, the London & Dublin book trade, and the intersection of literary text and the visual arts. She also has published on Rubens, Van Dyck, the Elzeviers, printers' marks, watermarks, woodcuts, and the Stuart legacy of Veronese. She studied at Wisconsin, the Yale Center for British Art, the Columbia University Rare Book School, and, as an NEH Fellow, Johns Hopkins University. Since the 1980s, she has been a visiting professor and speaker on many campuses. She is at work on Irishwomen's political writings and response c1603-1801.
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New Work On Irish Painter, Jack Yeats

"It was not easy to be Jack Butler Yeats. Beset with the dual burden of identity and fame, he wisely distanced himself from most of the Yeatses and proved more a Pollexfen (his mother's line) than a Yeats. In the second half of his career (circa 1920s-1950s), when he moved from commercial art to fine art, he proved more a European painter than an Irish one ..."
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