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Tout ce que vous devez savoir sur les livres rares et le commerce des livres anciens
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Renaissance

Rare Books - When is an inscription not an inscription?

Publié le 14 Oct. 2014
Two folks identified the key elements of this month's crocodile mystery in their comments: Misha Teramura correctly noted that the inscription in the middle of the page - "pp. 184-190 refer to the progress of religion westward toward America" - refers to George Herbert's final poem from The Temple, "The Church Militant." And David Shaw noted that the other inscriptions - "8652″ on the top left and "A176″ on the bottom right - look to be an accession number and a shelf mark. But let's back up for one moment to understand why I find these marks interesting. The book in question is a first edition of George Herbert's The Temple (STC 13183). It's an interesting work, and a popular one in the 17th century. And as you can see from the notations on the front pastedown and the recto of the first free flyleaf, it's a work that was prized by later collectors.This particular copy was owned by Sir Leicester Harmsworth before it came into the Folger Shakespeare Library collection, and its value is shown in part by the blue goatskin binding signed on the bottom turn-in by Riviere and Son. Its value is more obviously indicated by the inscription on the pastedown, "a copy sold in the Terry sale in Dec 1935 for $3600."
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Renaissance

The Giunti of Florence. A Renaissance Printing and Publishing Family

Publié le 24 Oct. 2012
This ambitious project explores the history and output of the Giunti Press in Florence, covering the firm from its beginnings in 1497 to its end in 1625, and providing descriptions of each Giunti book published with extensive indication of the libraries holding copies of each edition. In doing so, it describes the literature and history of Florence in the late Renaissance as well as the development of the Italian language within this important period of time.
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Renaissance

The Library of Symbolism - A Glossary and Bibliography of Renaissance Symbolic Literature

Publié le 09 Nov. 2010
"For 2,000 years, from the time of Plato in 400 BC until the start of the modern era of empirical science in approximately 1600 AD, the culture of Western Europe was dominated by a single mode of expression: the symbol. The symbol was the universal medium for the approach to God, for the investigation of the natural world, for the interpretation of the Scriptures and for an understanding of and a guide to proper moral conduct. Towards the end of the period, enabled by the invention of printing by movable type, this obsession was translated into a vast literature of symbolism of which some eighty distinct species were identified by contemporary writers and theorists." The Renaissance symbolism refers to a time in which human thinking and the human view of the World changed radically. On the one hand Renaissance symbolism is one of the most interesting research fields for scholars. On the other hand it is one of the most fascinating fields of bibliophily at the very beginning of the history of printing.
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Mémoire du passé

Une sélection de nos archives

Article

Shakespeare's First Folio Lends Drama to the Sydney ILAB Pop Up Bookfair on UNESCO World Book and Copyright Day

24 hours of ILAB Pop Up Fairs across the world on April 23, 2015! This is how the International League of Antiquarian Booksellers (ILAB) will celebrate this year's UNESCO World Book and Copyright Day. This important celebration of literacy, books and reading is held annually on April 23: Shakespeare's birthday. On this day ILAB antiquarian booksellers will be leaving their shops behind and gathering together with a small selection of their best stock to show what beautiful items they deal in. The first in a series of over twenty Pop Up Fairs from Australia to Asia, Africa, Europe and America will start in Sydney. And what location could be more appropriate for the Sydney launch than the State Library of New South Wales?
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Article

The Art of American Book Covers - Evangeline Mary Daniell

I only know of one cover by Evangeline Mary Daniell, who also went by the signature "Eva," but it is such an exceptional Art Nouveau design that it's likely there are others to be found. Please do post a comment if you know of any. Her monogram EMD is on both the cover and dust jacket of the first printing of The Seven Seas by Rudyard Kipling, the first American edition, published by Appleton in 1896. The monogram was removed from the cover on the 1897 and subsequent editions, but remained on the jacket. Three copies were in the first exhibition of American Decorated Publishers' Bindings 1872-1929 (2005).
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Article

New Concept for Italian antiquarian book fairs in 2018

The Antiquarian Booksellers' Association of Italy (ALAI) has just announced, it will change its fair concept for 2018 without compromising ILAB standards. ILAB booksellers worldwide adhere, without compromise, to highest standards, regulated and bound to a Code of Usages and Customs.
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Article

Bibliographies - Garden History

Online: Dochnahl's „Bibliotheca Hortensis"
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Article

A Talk at the Library of Congress

The relationship between collectors and libraries, which sounds as if it should be simple, has a way of becoming complex. Consider the following story, with the names omitted to protect the innocent. A well-known collector gave his books and manuscripts to a large university library.
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Article

Collecting Van Diemen’s Land (Tasmania)

The prominence of printed material relating to Van Diemen's Land – that is, Tasmania before 1855 – amongst desirable Australiana is not at all surprising given that it was the second of the Australian colonies to be established (some three decades before Port Phillip/Victoria or South Australia).
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