With the permission of the Australian and New Zealand Association of Antiquarian Booksellers (ANZAAB) who initiated and have organised the festival since 2011, we repost an extract of the 2018 report by Professor Chris Browne, Programme Director of Melbourne Rare Book Week.
The second weekend of June 2019 promises to be unmissable for book lovers as a major new fair will open every day between Thursday 6 and Sunday 9 June. For the first time the flagship summer book fairs of the ABA and PBFA will coincide with the annual London Map Fair and Etc Fairs' Bloomsbury Book Fair.
Are you new to antiquarian bookselling? ILAB bookseller Susan Ravdin has put together a very useful set of articles on how to prepare for a book fair sharing her experience: "...I've been exhibiting at book fairs for over 25 years, and I figure I've set-up over 500 booths in that time..."
Budapest is one of Europe’s leading cultural destinations and is not only famous for its spas, café houses and architecture.
Hungary’s tradition in book culture goes as far back as the 10th century when traveling monks introduced the first codices, not long after the Magyar had conquered and settled in the Carpathian Basin. ...
In 2010, online literary magazine The Fiction Circus hosted a seance for Fitzgerald at New York City's KGB Bar. A writer and artist known as Xerxes Vedammt offered his body to be inhabited by Fitzgerald. Once the departed writer made his, um, appearance, participants called out questions. One person asked what books Fitzgerald had read. The response: "I don't have a lot of time to read. But I enjoyed Patricia Highsmith's The Talented Mr. Ripley. I wish I had written The Talented Mr. Ripley."
This year is the 125th anniversary of the first appearance of Three Men in a Boat, published by J. W. Arrowsmith in Bristol (who, three years later, was to bring out that other classic comic novel, George and Weedon Grossmith's The Diary of a Nobody). Although slated by some critics at the time, the book sold in huge numbers, leading Arrowsmith to comment: 'I pay Jerome so much in royalties, I cannot imagine what becomes of all the copies of that book I issue. I often think the public must eat them.' It has never been out of print since.
I have spent a total of 3 days of the approximately 9490 that I have lived at the New York Antiquarian Book Fair. That amount of time might seem trivial; a brief episode that could come and go easily in a string of events that make up a lifetime, but it is not. When you walk into the Park Avenue Armory with it's Tiffany stained glass windows and beautiful staircases before entering into a vast array of 200 plus sellers who have been toiling for two days to present their most interesting material, it is awesome, as in the original dictionary meaning of that word.
We know of course that there are earlier fictions with claims to priority as tales of detection – stories in Chinese, in Arabic, Voltaire's Memnon (1747 – better known as Zadig, ou, La Destinée), William Godwin's Things As They Are, or, The Adventures of Caleb Williams (1794), the anonymous Richmond; or, Scenes in the Life of a Bow Street Officer (1827) and above all, of course, the three stories published in the USA by Edgar Allan Poe and featuring the amateur sleuth C. Auguste Dupin – The Murders in the Rue Morgue (1841), The Mystery of Marie Rogêt (1842) and The Purloined Letter (1844). All honour to them, they make their own case, but deep in our English hearts we know there is only one proper sort of detective – the Man from the Yard – and it is only with these modest tales in Chambers that we reach the real thing – the first professional detective in English fiction.