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Tout ce que vous devez savoir sur les livres rares et le commerce des livres anciens
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News from Stockholm!

Publié le 21 Juil. 2018
On Saturday 17th March, the 2018 edition of the annual Stockholm Antiquarian Book Fair will open its doors! We spoke to Mats Peterson, owner of Stockholm's Centralantikvariatet in Stockholm and President of the Swedish association SVAF.
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Mémoire du passé

Une sélection de nos archives

Article

Music Antiquarians: John and Jude Lubrano

"Nestled in the heart of the Syosset hamlet, New York, is a true treasure trove of musical riches, carefully, and lovingly, curated by John and Jude Lubrano. Since 1977, the dynamic duo have established themselves among the leading international dealers in antiquarian music and dance material. Their collection boasts a tantalising myriad of autograph musical manuscripts and letters of composers; rare printed music; rare books on music and dance; and original prints, drawings and ephemera relating to music and dance. The Lubranos' clientele includes private collectors, and many of the most celebrated libraries and museums of the world." (From Final Note Magazine)
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Article

53rd Annual New York Antiquarian Book Fair

The New York Antiquarian Book Fair returns to the Park Avenue Armory for its 53rd Anniversary. Presented by the prestigious Antiquarian Booksellers' Association of America and the International League of Antiquarian Booksellers, the 53rd Annual New York Antiquarian Book Fair is without a doubt, the foremost book fair of its kind.
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Article

The Best Lack All Conviction. Part 3

We've established that some people don't view books as valuable because they're a little difficult to get your head around. To civilians the reasoning behind why one hundred year old book can be verging on priceless and another hovering just this side of worthless can be obscure, seemingly arbitrary and maddeningly opaque. Even when the rationale is explained it often doesn't help. Often what the rare book trade does is take an object with a clearly identifiable function and then deny the object the exercise of its function as a result of financial value. One of the things I hear most often is "If I owned that book I'd be afraid to touch it." I usually respond to this by pointing out that the book in question is four hundred years old, has survived untold wars, plagues and natural disasters in its journey to our hands and is probably a lot tougher than me … not to mention prettier and more useful. This strikes people as strange.
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Article

Humperdinck’s „Hänsel und Gretel“ - Kitalálta, megcsinálta: A mai "Jancsi és Juliska" elé

The German composer Engelbert Humperdinck (1854-1921) is best known for his opera "Hänsel und Gretel". He began working on it in Frankfurt in 1890. He first composed four songs to accompany a puppet show his nieces were giving at home. Then, using a libretto loosely based on the version of the fairy tale by the Brothers Grimm, he composed a "Singspiel" of 16 songs. The opera premiered in Weimar on 23 December 1893, under the baton of Richard Strauss, who called it "a masterpiece of the highest quality". With its synthesis of Wagnerian techniques (Humperdinck had assisted Wagner 1880/81 in his production of Parsifal) and traditional German folk songs, Hänsel und Gretel was an overwhelming success. In 1923 the London Royal Opera House chose it for their first complete radio opera broadcast. Eight years later, it was the first opera transmitted live from the Metropolitan Opera in New York. Eduard Hanslick, a Bohemian-Austrian music critic, attended the premiere of „Hänsel und Gretel" in Vienna. The former supporter, then severe critic of Richard Wagner published his impressions of Humperdinck's opera in 1894. Adam Bösze has translated the text into the Hungarian language for his blog on rare books and the history of music.
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Article

Bibliographies - Pseudonyms

Online: Michael Holzmann und Hanns Bohatta, Deutsches Pseudonymen-Lexikon
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Article

The Life and Library of Victor Manheimer – A New Book by Sebastian Kötz

In the year 1927 a library of Baroque literature was auctioned in Munich at Karl & Faber. Nowadays, the catalogue of this auction belongs to the main reference works which are quoted by antiquarian booksellers, bibliographers and auctioneers when it comes to cataloguing literature of that period. Owner of the library was the German Jewish bibliophile Victor Manheimer.
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