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Leonardo da Vinci's Library
Bibliothèques

Leonardo da Vinci: reflected in his library

Publié le 06 Mai 2019
Leonardo da Vinci was a tireless and inquisitive reader. He owned more than 200 books about science and technology as well as literary and religious topics. An exhibition organized by the Max Planck Institute for the History of Science and the Berlin State Library at the Museo Galileo in Florence sheds new light on the intellectual cosmos of the artist, engineer, and philosopher, who remains as fascinating as ever 500 years after his death.
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1 - 8 / 1610

Mémoire du passé

Une sélection de nos archives

Article

Collecting Rare Books and First Editions - Bread & Roses: The Strike That Changed Everything

Needless to say, few strikes in American history have generated as much literature, music or folklore as did Lawrence. Given our interest in the art and literature of social movements, we're unavoidably drawn to this material, as are our customers – it tends to come and go with some regularity. Here are a few recent acquisitions that are still with us, each interesting for its own reasons.
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Article

'Med gamle bøker mot en ny tid' - 'With old books in modern times': 75 Years Norwegian Association

"Through the association the trade has organized themselves as managers and intermediaries of the cultural heritage of books. While the books are waiting for their new owners, it is the antiquarians that take care of them. It is they who bring about the material remains of our literary heritage to new readers, to collectors and institutions. Thus they secure great cultural values for the future, and they distinguish between the valuable and the worthless, between the inalienable and waste paper. Hence the antiquarians contribute, not only to preserve the cultural heritage; they also to a large extent, contribute to define it."
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Article

Collecting Rare Books and Prints - Japanese Surimono

Surimono, meaning "printed thing," are a subsection of traditional Japanese woodblock prints. They were printed on commission in small numbers and generally not sold by art publishers, unlike their more commercialized companions, ukiyo-e woodblock prints. Known as far back as the early 18th century, surimono rapidly rose in popularity in the 19th century. They were printed on high-quality paper, called hôsho-gami, using the finest printing techniques. Prior to 1810, these sheets could be quite large and folded so that the illustration accompanying the text faced outward. Later into the 19th century, however, sizing of surimono became more standardized and most were printed on small, nearly square sheets called shikishiban.
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Article

The Leaning Tower of Photography Books

One of the joys of dealing in modern literary first editions is the neat and nearly uniform size of the vast majority of one's inventory. Your basic octavo volume, when packed for a book fair, nestled convivially amongst its fellows, will fit neatly in a standard document storage box. After having done a few hundred fairs, one can pack up quickly and neatly, leaving no space in a box for the books to shuffle about, with the resultant deterioration in condition that loosely packed books usually suffer. I particularly recommend books of poetry and drama for this purpose – usually slim volumes that, when inserted between other books, tighten one's box load to a satisfying solidity.
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LILA

1961-1970

L’admission du Japon, la création du Prix de bibliographie (désormais intitulé Prix de Bibliographie LILA-Breslauer) et la première foire internationale du livre ancien furent les étapes importantes des années soixante.
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