Message from Sally Burdon, ILAB President:
41 years of supporting and educating booksellers is a long and proud record. This summer, just like the 40 before that, the Colorado Antiquarian Book Seminar (CABS) guided and supported another 50 would-be booksellers, more experienced booksellers, librarians and collectors through the intricacies of the antiquarian trade.
Earlier in the week, the Australian history radio programme, "The History Listen" spoke to Melbourne bookseller Douglas Stewart and the magic of Ida Rentoul Outhwaite's illustrations and paintings which brought fairies to life for generations of Australian children.
From Friday, October 5th to Sunday, October 7th, 2018, Oak Knoll Books and Oak Knoll Press will sponsor Oak Knoll Fest XX, where 36 fine presses from throughout North America and Europe will exhibit and sell their handmade books.
Die Ausstellung "Wie ein fruchtbarer Regen nach langer Dürre" läuft noch bis Februar 2019 an der Universitätsbibliothek Heidelberg.
Vor 100 Jahren kam es in der Buchherstellung und -gestaltung zu zahlreichen Neuanfängen und Wiederentdeckungen, die maßgeblichen Einfluss auf die moderne Typographie hatten. Die Entstehung und Ausprägung der Buchkunstbewegung vor allem in Deutschland in der Zeit um 1900 bis in die 1930er Jahre ist das Thema der Ausstellung.
Die Universität sprach mit Kurator, Dr. Jürgen Franssen.
Books sit squarely on shelves. They are discrete, replicable units. They have titles, authors, and places and dates of publication. They organize nicely into classes – "fiction" and "non-fiction," for example. There is agreed-upon language to describe condition, and there are bibliographical references that talk about the history and physical makeup of a book.
Students of 17th century women writers, art history, and book culture will be interested in Maureen E. Mulvihill's observations on the articulate frontispiece portraits of Margaret (Cavendish), Duchess of Newcastle, published in her remarkable corpus of work. With digital images, a table display of rare books (Mulvihill Collection), and a distributed bibliography, Maureen E. Mulvihill (Princeton Research Forum, Princeton NJ) will engage with these visual constructions as physical artifacts of 17th century book design and as 'text' to be read and parsed on the writer's character and identity. Keynote speaker Maureen E. Mulvihill is a broadly published specialist on women writers, rare books, the London & Dublin book trade, and the intersection of literary text and the visual arts. She also has published on Rubens, Van Dyck, the Elzeviers, printers' marks, watermarks, woodcuts, and the Stuart legacy of Veronese. She studied at Wisconsin, the Yale Center for British Art, the Columbia University Rare Book School, and, as an NEH Fellow, Johns Hopkins University. Since the 1980s, she has been a visiting professor and speaker on many campuses. She is at work on Irishwomen's political writings and response c1603-1801.
This (or a variant of it) is probably the most often asked question I hear. What I'm talking about is, of course, whether it is better to buy a book (or get it autographed by the author) with just a signature alone or whether it is better to have it with a personalized inscription.
The Antiquarian Booksellers' Association of Canada is very pleased to announce that the 2013 Toronto International Antiquarian Book Fair (TIABF) will run from Friday, November 8th through Sunday, November 10th, 2013.
'"Edgar Poe - the underground stream in Russia." So the Russian Symbolist poet Aleksandr Blok noted in his journal for November 6, 1911, a topic for a future critical study. The article was never written, but the prospect has remained an enticing one. For Poe's fame, however clouded by conflicting interpretation, is of long standing in Russia' (Joan Delaney Grossman, Edgar Allan Poe in Russia: a study in legend and literary influence, p. 7).