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Rare Books and the Rare Book Trade

From the Vault

A sneak peek in our archives

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5 Questions - Gonzalo Fernandez Pontes of Pontes Maps

Gonzalo Fernandez Pontes became the president of the International League of Antiquarian Booksellers (ILAB), an international body with 1800 affiliates, in 2016. He undertakes his duties alongside running his shop, Pontes Maps, which opened in Madrid in 1991.
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Article

Bibliomaniacs in Battersea

“Palpable history”, says Sir David Attenborough. We are at the annual Antiquarian Booksellers Association Rare Books Fair, and he is describing the pleasure of holding an incunable – a book printed in the fifteenth century, in the first few decades after the printing press was invented.
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A Conference on the Occasion of the Publication of Ina Kok: Woodcuts in Incunabula printed in the Low Countries

Hes & De Graaf Publishers, Koninklijke Bibliotheek, National Library of the Netherlands (KB) and the Dutch Book Historical Society (NBV) are organising a conference on 12 April 2013 on the occasion of the publication of the long awaited revised edition of Ina Kok's widely admired and groundbreaking dissertation on the woodcut illustrations in incunabula printed in the Low Countries between 1475 and 1501. The conference will be held at the Aula of the Koninklijke Bibliotheek, National Library of the Netherlands, The Hague.
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The World Arrives in London for Book Fair Week 8–16 June 2013

SEVEN FAIRS displaying rare books, maps, photographs and ephemera have come together to set up the first London Book Fair Week from Saturday, 8th to Sunday, 16th June 2013. This is the first time all the fairs organisers have joined together to create a major event for both trade and public by holding all the major summer fairs in one week.
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Collecting Authors' First Books

Authors' "firsts" -- first appearances, first books, first works of fiction, first novels. The fame of the authors included herein varies widely: some are names virtually everyone has heard; some are writers that few people know of yet. What they share in their first or early appearances in print is that, at the time, they were almost all both relatively young and relatively unknown. The works had to stand on their own merits rather than on their authors' reputations.
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