Das Deutsche Literaturarchiv Marbach hat kürzlich eine Frankfurter Privatsammlung zu Eduard Mörike erworben. Der Sammler Klaus Berge, verdientes Mitglied der Deutschen Schillergesellschaft und langjähriger Freund des Hauses, hat über mehr als drei Jahrzehnte hinweg sachkundig Handschriften, Erstausgaben, Widmungsexemplare, Grafiken und Gegenständliches von und zu Eduard Mörike sowie seinem Umkreis zusammengetragen.
105 years ago, from 6th to 8th August, 1908, a famous 19th century autograph collection was auctioned by J. A. Stargardt in Berlin. The owner of the collection was Fritz Donebauer, born in 1849 as a son of a Bohemian innkeeper who became a banker and insurance agent in Prague, and most of all: a collector. In his lifetime he owned hundreds of autographs and manuscripts of mostly Bohemian theatre artists and musicians as well as rare documents from the history of Bohemia and the Thirty Years War. Little is known about Fritz Donebauer, whose collection came to auction in Berlin in April 1908, and even less is known about the private collectors, dealers and institutions who bought the documents, manuscripts and handwritten letters. Eberhard Köstler tries to reconstruct Fritz Donebauer's life and the fate of his famous collection.
This (or a variant of it) is probably the most often asked question I hear. What I'm talking about is, of course, whether it is better to buy a book (or get it autographed by the author) with just a signature alone or whether it is better to have it with a personalized inscription.
The British Library has acquired the personal archive of Sir Alec Guinness. The archive includes more than 900 of his letters to family and friends and over 100 volumes of diaries from the late 1930s to his death in the year 2000. The letters and diaries of the award winning British actor enrich the British Library's collection of archives of great 20th century artists along with those of Laurence Olivier, John Gielgud and Ralph Richardson.
How much is it worth? This question is most often asked by book collectors. And most often, there is not a precise answer. Although it is quite common nowadays to discuss rare books "as investments", the value of a book can hardly be counted in Dollars and Euros. It is even more difficult to measure the "worth" of dedication copies. Is the book inscribed by the author? Is this author famous and important, dead or alive? To whom is the book inscribed? Which words did the author choose to express his gratitude or sympathy? Eberhard Köstler, autograph specialist, gives examples of dedications by George Bernard Shaw, George Orwell, Franz Kafka, Thomas Mann and many other authors, and he shows that nothing is binding when it comes to the "real worth" of dedications.
In detective fiction and on the cop shows it's called "chain of evidence." Book collectors call it provenance. Unless you plan to build your private library solely with "hot off the press" titles, you need to understand provenance. The concept is important for all kinds of collectibles, from works of art to books to archaeological artifacts. Basically, it means: "to confirm or gather evidence as to the time, place, and if appropriate, the person responsible, for the creation, production or discovery of [an] object."
Though best known as a British author, Aldous Huxley spent the last twenty-six years of his life living in the United States. When he and his wife, Maria, left England for the United States in 1937, they did not plan to stay, but with the war in Europe heating up and their son's acceptance to an American school, they decided to settle in Los Angeles. It was there that Huxley renewed his acquaintance with Anita Loos, the author of Gentlemen Prefer Blondes.
"It has become trendy to declare the book obsolete in this brave new world of digitalized data rubbish", book historian Reinhard Wittmann declares in the new "Handbook 2015/2016" published by the German Antiquarian Booksellers' Association (VDA). "It may have lost its general function and its social prestige, but it will survive as a historical and artistic object, far beyond its actual content, as a time machine for the aura of times long gone."The German Antiquarian Booksellers' Association would like to invite you on a bibliophilic time voyage on the occasion of the 54th Stuttgart Antiquarian Book Fair from 23rd to 25th January 2015. About 80 leading antiquarian booksellers from Germany, Italy, Great Britain, the USA, Switzerland and the Netherlands will present rare and precious manuscripts, books, autographs and prints from five centuries of book printing and book art. Beautifully illustrated manuscripts, scientific milestones, avant-garde book art, autographs and manuscripts of important scientists and artists, rare first editions of world literature, children's books, artists' books, maps, views, decorative prints and book objects: The fair fascinates by its diversity, from unique little objects to books worth millions, from the Middle Ages to the 21st century.
Isaac Asimov, legendary author of science fiction, celebrated his birthday on January 2. Born Isaak Yudovich Osimov in Petrovichi, Russia around January 2, 1920, Asimov immigrated to Brooklyn, New York with his family. Asimov would always retain a strong New York accent, a feature just as distinctive as his legendary mutton chops. The author is less well known for his flying phobia and using the nom de plume Paul French.
One of the most unusual types of book decoration is fore-edge paintings. These are books which have one or more of the top, fore or bottom edge painted – usually with watercolors. The typical form is a book with a single fanned fore-edge painting. In the twentieth century other forms have developed, including the double fore-edge or even the remarkable six-way painting where all three sides of the book have a double.
Proensa, Paul Blackburn's translations of the Provencal poets, was the first publication realized by Robert and Ann Creeley's The Divers Press. Earlier in 1953, Creeley abandoned Roebuck Press, a publishing venture with fellow Mallorca expat, Martin Seymour Smith, due to a disagreement in just what writers that Press should give voice to. Smith wanted to publish his mother, which Roebuck in fact did. Creeley wanted to publish his friends. Creeley: "I was just determined to publish Americans of my own interests. I was far more idealistic than Martin." Poets such as Blackburn spoke in a language that Creeley could understand and enjoy. Creeley felt Blackburn's work was the ideal choice for Divers Press's first statement to the world.
Louis Zukofsky's After I's is a brother from another Mother in an interesting sense. Mag fans might be aware of the New York School influenced Mother published at various point out of Northfield MN (where the James-Younger Gang got shot to pieces while attempting to robb the First National Bank on September 7, 1876), Galesburg, IL, New York City, and Buffalo. Secret Location includes Mother (NY) in its checklist appendix as well as a brief paragraph on the magazine in the introduction. The appendix also lists Mother Press and its three publications: Bingo by Dick Gallup, Poems by John Giorno and the Zukofsky. Slight problem though as there are two Mother Presses. Mother (NY) printed the Gallup and the Giorno, as you might expect given its New York focus. After I's was published by Boxwood Press and Mother Press out of Pittsburgh, PA. Mother (PA) was also a magazine, which ran for twelve issues, under the editorship of Ron Caplan.