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Rare Books and the Rare Book Trade
 
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From the Vault

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Sir David Attenborough to Open ABA Rare Book Fair London at New Venue in Battersea Park

As Sir David Attenborough says “You could say that, after so many years at Olympia, the Fair has indeed evolved. Most living organisms do.”
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Over 550 booksellers in 26 countries working together, achieving remarkable result in unprecedented campaign

“Amor Librorum Nos Unit” is the motto of the International League of Antiquarian Booksellers, ILAB, the international trade body for the rare book trade uniting booksellers across 36 countries. The motto has been quoted many times over the last few days and particularly the last few hours following an agreement with AbeBooks to reverse its decision to withdraw from a number of international markets.
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Article

John Henry: The Ballad and the Legend

What's an article on John Henry doing in AB Bookman's Weekly? Are we going to collect both books about him?' Ha, Ha! You may think that such a joke hits the spike on the head, but in fact the material on John Henry is plentiful, and not a few pieces pose a serious challenge to the collector. Indeed, I can personally testify to the difficulty of some of the items in the canon.
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History of the London International Antiquarian Book Fair - Founded in 1958

The idea that the ABA could organize book fairs to give provincial antiquarian booksellers (of which there was still at least one in most of Britain's market towns in the 1950's) a temporary shop window in London came from a small group of booksellers who, in the summer of 1957, rented one of Sotheby's galleries in Bond Street during the auctioneer's closed season and offered their books for sale on some simple shelving.
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Article

Collecting Rare Books and First Editions - The Work of Julius Klinger

May 22nd, 2014, was the 138th birthday of Austrian illustrator, typographer, and graphic artist Julius Klinger. Born outside of Vienna on May 22nd, 1876, Klinger is best known for his innovative poster design, which earned him acclaim in Germany and Austria in the early 20th century. His style was functional, clear, and clean, especially compared to the styles of Art Nouveau (or Jugendstil) and the Vienna Secession movement that were popular at the time. In an essay on the subject, Klinger rejected the idea of ornamentation for its own sake, and this shows in his advertising art, which featured clean lines and a limited color scheme.
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