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Rare Books and the Rare Book Trade
 
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Publishers

Book Trade History - George Berger and his Sons 1796-1868

Published on 23 Sept. 2015
GEORGE BERGER was a very active bookseller and publisher in the first half of the 19th century, who worked out of Holywell Street, off the Strand, and who at one point, prior to the arrival of W.H. Smith, was the largest newsagent in London (Louis James, Fiction for the Working Man, 1963). Yet, as was the case with many of his contemporaries – George Purkess, William Strange, and George Cowie, for example – very little was known about him. Until now…
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Publishers

How to Identify First Editions from G.P. Putnam's Sons

Published on 04 July 2013
Since its inception in 1838, G.P. Putnam's Sons have grown into one of the most respected - and controversial - publishing houses in the United States. In 1996, the publishing house became an imprint of the Penguin Group and continues to publish the works of outstanding authors of both fiction and non-fiction.
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Publishers

How To Identify Simon & Schuster First Editions

Published on 22 May 2013
One of the four largest English-language publishing houses, Simon & Schuster now publishes over 2,000 titles a year under 35 different imprints. The firm started by publishing crossword puzzle books and grew to publish some of the world's most recognized authors. How to identify Simon & Schuster first editions.
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Publishers

Cathy Henderson and Richard Oram on the history and collecting of books published by Alfred A. Knopf

Published on 12 July 2011
The Harry Ransom Center holds the Alfred A. Knopf, Inc. archive, which includes books published under the Borzoi imprint and books from Alfred A. and Blanche Knopf's personal library. Nigel Beale interviews the Associate Directors for Exhibitions Cathy Henderson and Richard Oram, co-authors of "The House of Knopf", a book that contains collected documents from the Knopf, Inc. archive and is part of the Dictionary of Literary Biography series.
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From the Vault

A sneak peek in our archives

Article

For Chess Players: "The Ententiue Partes of Mannes Vnderstanding"

Not every reference book is strictly utilitarian — not every reference book, in other words, tells its users things they need to know. Many tell them what they simply want to know, and how they might amuse themselves. This explains the abundance of reference works that teach readers to play games.
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Article

The Picasso of Dust Jacket Design

He brought poster, advertising, and dust jacket design out of the nineteenth century and into the twentieth, integrating the aesthetic and forms of modern art into his work. It was welcomed in England. It was rejected in the United States. In his time he was, ultimately, the most significant graphic designer in the English-speaking world. Born in Montana, USA, E[dward]. ("Ted") McKnight Kauffer (1890-1954) was one of Europe's most prolific and influential advertising poster artists during the 1920s and 1930s, and as innovative as his French counterpart, A.M. Cassandre.
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Article

The World’s Expert Antiquarian Booksellers - In 1 Book!

The new edition of the ILAB Directory has recently been published. The Directoy gives easy access to information on the almost 2.000 ILAB booksellers around the world that are experts in their chosen fields and stand behind the ethical standards of ILAB. In this new electronic world you will find this expertise and adherence to standards an essential part in making your buying experience a pleasant one.
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Congress

2008 - Madrid

The Congress of the ILAB and the International Antiquarian Book Fair took place in Madrid from September 8th to 13th, 2008, with the Honour Presidence of the S.S. A.A. R.R. Principes de Asturias.
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Article

New York Slate: A Bob Dylan Forgery (Why to be careful when buying at auction)

In one of the latest blog entries of Peter Harrington Rare Books (UK), Rachel Chanter describes the dangers of buying at auction. "This cautionary tale shows how far forgers will go to defraud dealers and avid collectors, and how they can sometimes exploit an auction house's less-than-rigorous approach to research. Fortunately, we were able to discover the spurious nature of this artwork, subjecting it to the same level of scrutiny as we do all the items we acquire, which is why we are able to assure customers of the legitimacy of everything we sell. "
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