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Rare Books and the Rare Book Trade
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Art

The Art of American Book Covers - Evangeline Mary Daniell

Published on 12 Dec. 2014
I only know of one cover by Evangeline Mary Daniell, who also went by the signature "Eva," but it is such an exceptional Art Nouveau design that it's likely there are others to be found. Please do post a comment if you know of any. Her monogram EMD is on both the cover and dust jacket of the first printing of The Seven Seas by Rudyard Kipling, the first American edition, published by Appleton in 1896. The monogram was removed from the cover on the 1897 and subsequent editions, but remained on the jacket. Three copies were in the first exhibition of American Decorated Publishers' Bindings 1872-1929 (2005).
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Art

Veronese, His Legacy, Among 17th Century Book Publishers, Art Collectors, & Printmakers

Published on 02 May 2014
This essay is an immersive, illustrated review of the spectacular Veronese show at the Ringling Museum of Art, Sarasota, Florida (2012-13); but it also educates readers on Veronese's legacy in the 17th century among book publishers, printmakers, and (mostly) Stuart art connoisseurs. Drawing upon an extended Gallery of Images (21 images, including some fine installation shots, all with extended caption notes by the author), the essay demonstrates the fabled invention, wit, and clever humor of this "Happiest of Painters", as Henry James wrote of Veronese. The essay gives special prominence to the currency of Veronese in the 17th-century book culture and print culture (Images 6,7,14). The author's dedicatees are three prominent book specialists: Robert J. Barry, Jr.; John T. Shawcross; and Peter A. Tasch.
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Art

Collecting Rare Books and First Editions - New York, New York!

Published on 28 Oct. 2013
Like the architect and sculptor Max Bill, Welti (1891–1934) belonged to the artistic new wave which characterised Zurich in the late 1920s, experimenting with abstract art and Dadaism. In 1932, it was Welti who was asked by Wilhelm Wartmann, director of the Zurich Kunsthaus, which was mounting a major Picasso retrospective, to look after the Spaniard during his visit. These early lithographs arose out of a visit Welti made to New York thanks to a 'Swiss Economic Study Tour to America', an initiative begun after the First World War.
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Art

Collecting Rare Books and First Editions - Who is Anne Marie?

Published on 18 July 2012
As personal papers and archival collections are increasingly sought after by librarians and collectors, we have accordingly been conducting a fair bit of original cataloguing of various special collections materials in order to keep up with the demand. I've thus become better at identifying and describing the papers and ephemera of obscure authors and artists, and even a few famous punk rockers unknown only to me; but every now and then I am confronted with anonymous or original materials of considerable interest which I cannot identify, despite my best efforts. Here for example is a hand-painted illustration from the 1930s signed "AM". Can anyone identify this Unknown Woman?
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Art

Publishing the Fine & Applied Arts 1500-2000

Published on 10 July 2012
This new volume of the Publishing Pathways series examines the relationship between the business of print and the practice of art and design across five centuries. It explores the role played by the book trade in the diffusion of artistic and architectural theory, fashion, and practice, and traces the impact of advances in the techniques of binding, color printing, and illustration on the appearance of books. Among the topics discussed are the printed sources for decorative motifs in sixteenth-century churches, the publication history of the works of Andrea Palladio, and the evolution of drawing manuals in seventeenth-century England. Other subjects include the library formed by the architect Sir John Soane, developments in nineteenth-century art publishing, and the role of printed catalogues in documenting the acquisitions made by English collectors of paintings, sculpture, and antiquities.
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Art

Peter Paul Rubens and 17th Century Book Arts

Published on 23 May 2012
Specialists on 17th century books and book arts may enjoy viewing Maureen E. Mulvihill's illustrated exhibition review of the Rubens show at the Ringling Museum, Sarasota, Florida (February 17th-June 3rd, 2012). The review (12 pp, with a Gallery of Images from the installation) is published in Seventeenth-Century News (Spring-Summer, 2012). The Ringling's permanent collection includes five Rubens canvases (the Louvre, two). The show presents selections from Ringling's Rubens collection and many fine prints of the master's work (engravings, woodcuts) on loan from the Royal Museum of Fine Art, Antwerp
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Art

The Book Art of Richard Minsky

Published on 18 March 2011
A new book about the famous book artist: Richard Minsky has been making and remaking artists' books for fifty years. "The Book Art of Richard Minsky", recently published by George Braziller, Inc., shows the best of it. The book itself is a piece of art, bound in a beautifully printed and embossed hardcover and filled with numerous illustrations. It invites readers - and admirers - to explore the sculptural book works of Richard Minsky.
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From the Vault

A sneak peek in our archives

Article

First editions and lasting treasures: how to be a book collector

Thinking of investing in rare books? Do it for the love of books, not money, say the expertsRare and antiquarian books can be surprisingly valuable. A first-edition copy of Ulysses by James Joyce, published in Paris in 1922, can sell for €100,000 and sometimes much more; Jonathan Swift's Gulliver's Travels, published in London in 1726, up to €50,000. But, like art, most books will never become really valuable, and collectors are generally motivated by love of literature and books rather than the prospect of making a fast buck.Repost from The Irish Times, first published 26 August 2017.
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Article

Collecting Rare Books and First Editions - Charles Dickens’ Debt to Henry Fielding

When Charles Dickens' sixth son was born on January 16, 1849, the boy was named for one of Dickens' favorite authors. Supposedly Dickens had first thought to name the boy after Oliver Goldsmith, but he feared the child would be ridiculed as "Oliver always asking for more." Instead he named his son Henry Fielding Dickens, after legendary 18th-century author Henry Fielding. Though Dickens was born too late to meet Fielding, his predecessor had a profound impact on Dickens' work.
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Article

Bibliographies - Languages

Online: Johann Severin Vater, Handbuch der Hebräischen, Syrischen, Chaldäischen und Arabischen Grammatik ... - Enslin, Grammars in Greek, Latin and the Oriental Languages
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Article

Sir David Attenborough to Open ABA Rare Book Fair London at New Venue in Battersea Park

As Sir David Attenborough says “You could say that, after so many years at Olympia, the Fair has indeed evolved. Most living organisms do.”
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