Das Deutsche Literaturarchiv Marbach hat kürzlich eine Frankfurter Privatsammlung zu Eduard Mörike erworben. Der Sammler Klaus Berge, verdientes Mitglied der Deutschen Schillergesellschaft und langjähriger Freund des Hauses, hat über mehr als drei Jahrzehnte hinweg sachkundig Handschriften, Erstausgaben, Widmungsexemplare, Grafiken und Gegenständliches von und zu Eduard Mörike sowie seinem Umkreis zusammengetragen.
105 years ago, from 6th to 8th August, 1908, a famous 19th century autograph collection was auctioned by J. A. Stargardt in Berlin. The owner of the collection was Fritz Donebauer, born in 1849 as a son of a Bohemian innkeeper who became a banker and insurance agent in Prague, and most of all: a collector. In his lifetime he owned hundreds of autographs and manuscripts of mostly Bohemian theatre artists and musicians as well as rare documents from the history of Bohemia and the Thirty Years War. Little is known about Fritz Donebauer, whose collection came to auction in Berlin in April 1908, and even less is known about the private collectors, dealers and institutions who bought the documents, manuscripts and handwritten letters. Eberhard Köstler tries to reconstruct Fritz Donebauer's life and the fate of his famous collection.
This (or a variant of it) is probably the most often asked question I hear. What I'm talking about is, of course, whether it is better to buy a book (or get it autographed by the author) with just a signature alone or whether it is better to have it with a personalized inscription.
The British Library has acquired the personal archive of Sir Alec Guinness. The archive includes more than 900 of his letters to family and friends and over 100 volumes of diaries from the late 1930s to his death in the year 2000. The letters and diaries of the award winning British actor enrich the British Library's collection of archives of great 20th century artists along with those of Laurence Olivier, John Gielgud and Ralph Richardson.
How much is it worth? This question is most often asked by book collectors. And most often, there is not a precise answer. Although it is quite common nowadays to discuss rare books "as investments", the value of a book can hardly be counted in Dollars and Euros. It is even more difficult to measure the "worth" of dedication copies. Is the book inscribed by the author? Is this author famous and important, dead or alive? To whom is the book inscribed? Which words did the author choose to express his gratitude or sympathy? Eberhard Köstler, autograph specialist, gives examples of dedications by George Bernard Shaw, George Orwell, Franz Kafka, Thomas Mann and many other authors, and he shows that nothing is binding when it comes to the "real worth" of dedications.
In detective fiction and on the cop shows it's called "chain of evidence." Book collectors call it provenance. Unless you plan to build your private library solely with "hot off the press" titles, you need to understand provenance. The concept is important for all kinds of collectibles, from works of art to books to archaeological artifacts. Basically, it means: "to confirm or gather evidence as to the time, place, and if appropriate, the person responsible, for the creation, production or discovery of [an] object."
Great news: The Guardian and Associated Press report that the Hebrew University of Jerusalem puts online 2,000 documents from the Albert Einstein archives including unseen letters, postcards and research notes.
I was deeply saddened to learn that Mitsuo Nitta, President of Honor of the ABAJ, Member of Honor of ILAB, CEO at Yushodo Ltd., former Chair of the ILAB-Breslauer Prize for Bibliography, legendary bookseller and friend to so many of us, has passed away on October 27 of 2015. Mitsuo Nitta played a leading role in developing antiquarian bookselling not only in Japan but also in the surrounding countries like Korea and China, and he had been teacher and friend for generations of younger booksellers. His role in spreading out ILAB's device "Amor Librorum nos unit" in East-Asia cannot be underestimated. Since my first meeting with Mitsuo Nitta back in 1988 during the Congress in Paris, we had been in constant contact, and I will always remember countless discussions about ILAB with him, the last one – alas - only earlier this year in Tokyo.
Charles Dickens' A Christmas Carol has become a beloved part of the literary canon – and for many an indispensable part of the holiday season. The story embodies the goodwill associated with the Christmas season – and it has the Victorians' favorite elements of a good Christmas story: ghosts. Dickens wrote other Christmas tales that also incorporated phantoms and ghosts, as did his Victorian cohorts. But why this obsession with ghosts at Christmas time?
I would like to introduce this instalment on Women Travellers with a quote by noted explorer and chauvinist, Samuel Hearne: "Women were made for labour: one of them can carry or haul as much as two men do. They also pitch our tents, make and mend our clothing, keep us warm at night … they do everything, and are maintained at a trifling expense." Not everyone will agree with the bit about trifling expense. But anyone who has ever made a trip with a female companion that involved more than getting into a train or onto a plane, knows what old Sam is on about. And so, without further ado, I introduce to you five stalwart ladies, who sometimes turned out to be even braver than (their) men.
The period from 1900 to the First World War (what historian Walter Lord called "the good years" in America) was a rare time after plumbing and before the federal income tax was reintroduced, when Americans lived with confidence. Perhaps the epitome of that era was the Gibson Girl, an ideal of American feminism created by illustrator Charles Dana Gibson. She was beautiful, intelligent, sturdy and unruffled. She was created before the turn of the century and held sway for more than two decades.
"If you keep an open mind in this business, you learn something new every day." Greg Gibson on collecting the unusual: "Fire insurance mapping began in London in the 1700s, but it had never been applied with a systematic approach. In 1867 Daniel Alfred Sanborn, a surveyor from Massachusetts, saw the need for such a service, and quickly occupied that niche. By the late 1800s he had offices spanning the continent, sending out thousands of surveyors to record the footprints and construction details of buildings in American cities. Insurance companies could then use this information to write accurate policies, based on potential fire risk as documented by Sanborn's company."